Chez Panisse 40th: Lindsey Shere’s Almond Tart à la David Lebovitz

This tart did not inspire me when I first read about it. Then I nearly drowned my keyboard on discovering David Lebovitz’s write up of it.

Since then I have dreamt about this almond tart. It has a serious droolness factor. I kept having to go back to David’s write-up to practically lick my screen for its coffee-coloured toffee-like gooiness. Almonds encased in sweet chewiness on a light crumbly pastry base… Perfect slices that look like they’ve been cut with a laser… Although I’ll keep the location of such perfection to myself for a little while longer…)

It was not at all like the fluffy thing I imagined reading Lindsey Shere telling Thomas McNamee how to make it in his book Alice Waters and Chez Panisse. Funny how with food the mind can conjure up something completely different to what it should be. It’s almost like Chinese whispers.

I love caramelized nuts that sparkle like jewels. I love toffee. I love caramel. I love chewiness. I love dense sweetness. And that’s what this tart has. Nothing else was going to get a look in as dessert for a Chez Panisse Tribute Menu.

And who better to take you through it than David Lebovitz, who fought to keep this tart on the menu at Chez Panisse during his time as a pastry chef there. Because it has a difficult reputation. Difficult does not bode well for a first attempt, especially when I realize he says that a 10-inch (26 cm) tart tin rather than the 9-inch (23 cm) they used at Chez Panisse is ok, and mine measures…30 cm. And is Pyrex rather than the svelte and classic metal one with removeable base he uses. So first challenge: to stretch a soft dough that doesn’t stretch the equivalent of 7 cms! I am such a pro at making things difficult for myself. Starting to adjust the quantities would only be permission to trip myself up.

And that’s where David’s take on it differs. The original method says to roll it out, but David “smushes” it into the tin by hand because it’s too soft. Hence method à la David Lebovitz. When I saw how soft the dough is I knew that if I started smushing it, as David said it took him hours in the beginning, I wasn’t get to work the next morning on time. So I chilled it as he says, but rolled it out until it got too soft and started sticking then managed to transfer the wilting pastry into the dish pre-lined with a circle of baking parchment on the bottom just in case…


And then I started smushing, working the pastry out to the sides. Or nearly. I found it easier to use a silicon dough scraper to smooth it over, working around turning the dish like the spokes of a bicycle and evening it out. And much to my surprise I managed to get skinny sides rather than the galette I thought I’d be resigned to.

And (barely) no holes when baking it blind. (Keep a small piece of dough to patch holes as it cooks.)

It did not overflow as warned, or leak as warned thanks to the pyrex dish (although I guess I didn’t need the sheet of aluminium on the shelf below).


And I did not have to push down or break up any lumpy bits as warned. Almost all by itself it cooked down into its dark and gooey and chewy and toffee-ish-ness.

A good sharp knife will give you David’s lasered edges.

                                            

That’s my kind of difficult.

Now you can go and look at David’s. How did I do?

And David’s also given an insight into the time he spent at Chez Panisse, just before attending the anniversary celebrations.

Lindsey Shere’s Almond Tart at Chez Panisse, à la David Lebovitz

(David Lebovitz’s version adapted from Chez Panisse Desserts by Lindsey Shere)

The ingredients are as given by David Lebovitz:
For the dough
– 1 cup (140 g) flour
– 1 tbspn sugar
– 1/2 cup (115 g) chilled unsalted butter, cubed
– 1 tbspn chilled water
– 1/2 tspn vanilla extract (I used vanilla powder as my extract had gone into hiding)
– 1/8 tspn almond extract

For the filling
– 1 cup (250 ml) whipping (heavy) cream
– 1 cup (200 g) sugar (I used golden granulated)
– 1/8 tspn salt
– 1 cup (80 g) slivered (sliced) almonds
– 1/8 tspn almond extract
– 2 tspns Grand Marnier or Amaretto (I didn’t have either so used a Creme de Chaitaigne – chesnut liqueur)

Dough and base (can be prepared in advance and frozen, otherwise 30 mins chilling time, and another 30 minutes in the freezer once pressed into the tin)
1. Mix the flour and  sugar together.
2. Add the butter and pulse until it resembles breadcrumbs, or rub in until that stage.
3. Add the water and extracts and bring together until it forms a soft dough.
4. Remove a piece to keep for patching. Flatten into a round, wrap in clingfilm and chill for at least half an hour.
5. Remove from the fridge and roll out until it becomes too soft. Lift into the tin (it may tear).
6. Start pressing the dough into the tin and up the sides (use a pastry scraper or silicon spatula if you have one).
7. Freeze for at least 30 minutes.
8. Preheat the oven to 190°C.
9. Bake for 20-25 minutes until golden brown, checking after 10 for any holes. Patch with the reserved dough.

Filling
1. While the base is cooking, heat the cream, sugar and salt in a large wide saucepan until bubbling and frothy.
2. Remove from the heat and stir in the almonds, extract and alcohol.
3. When the base is cooked, pour in the filling, smoothing out around the base.
4. Cook at 190° for about 30 minutes, after 10 or so breaking up any lumps with a heat-proof spatula and smoothing out. (If using a tin with a removeable base put a sheet of aluminium on the rack below the one the tart is cooking on to catch any drips.)
5. Cook until it’s turned a caramelized colour.

Forget the fork and pick it up and eat it with your fingers. Just try not to have a When Harry Met Sally moment.

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Chez Panisse 40th: Duck with Olives (Canard aux Olives)

Bon anniversaire Chez Panisse! Today’s the day, 40.

Apparently this weekend they’ve been cooking Werner Herzog’s shoe again. Or rather a beautiful pair of pigskin shoes. Alice Waters literally cooked the original when Errol Morris finished his film, Mr Herzog having said he would eat his shoe if he did. Morris held him to his word.

Incidentally Chez Panisse was named after a character in Marius, Fanny and César, the trilogy of films by French filmmaker Marcel Pagnol, set in a bar in the Old Port of my favourite bolt hole, Marseille.  As part of a Pagnol retrospective, they’re showing his The Baker’s Wife today.

I did not want to cook shoes for a Chez Panisse tribute menu main course, but a version of the dish served on the evening of August 28, 1971, exactly 40 years ago today: Canard aux olives, a bistro classic. (Former Chez Panisse pastry chef David Lebovitz has published some photos of the Chez Panisse menus over the years.)

Apparently Chef Victoria Kroyer spent three days on the sauce, making a fond brun which became sauce espagnole which became a demi glace (and no that’s not ice cream) yielding a superb sauce to be mixed with the olives, served over braised ducks. She had never made any of them before. (Me neither.)

As I was never going to spend three days making a sauce for this dish, I started looking around for a recipe for Canard aux Olives. Some were cooked on a stovetop, some in the oven. Some used stock, some didn’t. Some used fresh tomatoes or paste. Mine doesn’t.

To go with the duck, I love sautéed potatoes, and it’s great to sauté them in the duck fat you’ll pour off. That’s typical bistro style, just duck and potatoes, no veg, but serve some steamed broccoli or something if you’d like some.

To follow I served a mesclun salad for Alice, who loves to prepare a salad of young fresh salad leaves. (Note: Only add the dressing at the last minute, else the leaves will “cook”.)

It feels almost strange to think that I’m serving this meal to my French family, 40 years to the day Chez Panisse served it. And around a French heirloom table – one that leaves barely enough room to get your knees under, and that is so high you have to almost lift your cutlery up as if you’re conducting an orchestra.
I think Alice Waters would approve.


Duck with Olives (Canard aux Olives)

(adapted from a recipe by L’Atelier des Chefs, Paris)

Serves 6

– 3 large duck breasts (magrets) (or 6 small ones)
– 1 large onion or 2 small onions, roughly chopped
– 1 tbspn olive oil
– 200g green olives, stoned
– 3 garlic cloves, crushed
– 250ml dry white wine
– 1 bouquet garni
– 1 tbspn flour

Plus About 1.5 kg potatoes (Charlotte are good), sliced and parboiled, if you wish to serve sautéed potatoes with the duck.

1. Sear the duck breasts (skin side down), or pieces (all over) in a large casserole, about 10 minutes each side. Beware because they will spit and splutter and release a lot of fat, which will be hot.
2. Remove.
3. Pour out the fat into a frying pan to sauté the potatoes if serving.
4. Add a bit of olive oil and brown the onions.
5. Add the crushed garlic.
6. Add the olives and the duck.
7. Pour in the dry white wine.
8. Add the bouquet garni.
9. Sprinkle in a tablespoon of flour.
10. Cover and cook for 30 minutes.
11. Sauté the parboiled sliced potatoes in the duck fat.
12. Remove the bouquet garni and serve the duck breast with the olives and sauce poured over with the potatoes on the side.

Chez Panisse 40th Menu: Shaved Fennel, Artichoke and Parmesan Salad to start

How do you turn a love of French food into a successful restaurant that celebrates its 40th anniversary this weekend?

Alice Waters has the answer. After studying in Paris in the sixties she took home with her a love of French food, a love that she eventually planted and, with more than a little help from her friends, got to flourish as the restaurant Chez Panisse, in Berkeley California.

Who would have thought that a restaurant that started out serving just one three-course menu with no choice, every day, would be here forty years later? A three-course menu with a heavy French accent though, that changes every day, and uses the very best seasonal ingredients sourced and foraged locally as much as possible. Principles that Alice has nurtured, being recognized as the mother of Californian Cuisine and going on to establish the Edible Schoolyard project at a local school which multiplied elsewhere in the country, to set up the Chez Panisse Foundation, and become involved in the Slow Food Movement. Not to mention the collection of cookbooks she’s written.

I got engrossed in the story of Chez Panisse and Alice Waters (by Thomas McNamee) this summer doing my daily shuffle back and forth to work, and was astonished to realize that the restaurant is almost as old as me (I’ve got about six months on it at the time of writing). As the pages turned and the years advanced the story became less about the restaurant, and its changing face that somehow stayed the same, and more about Alice’s philosophy as it developed. It’s one we should just be adhering to, the world would be so much simpler.

The anniversary is being celebrated this weekend with numerous events, centered around the restaurant and with private dinners cooked in “Famille Panisse” homes, with all proceeds going to the Chez Panisse Foundation. Which should harvest a great amount seeing the prices.

Obviously I can’t go to any of the numerous celebrations this weekend, but I love to cook food with flavour for people, and a three-course menu à la Chez Panisse seemed a fitting tribute. It’s not quite the same menu as that served 40 years ago – paté was served to start, and the tart for dessert was plum and not almond, but the main course was duck with olives (canard aux olives), which will be served next.

Instead of the paté to start I foraged on the internet and was immediately inspired by this shaved artichoke, fennel and parmesan salad, a tumble of paperthin sliced vegetables dressed with truffle oil and lemon juice published in Chez Panisse Vegetables by Alice Waters.

Shaved Fennel, Artichoke and Parmesan Salad

From Chez Panisse Vegetables by Alice Waters (Harper Collins, 1996), via Epicurious

Serves 6

– 2 lemons
– 2 artichokes
– 2 fennel bulbs
– 1/4 cup extra-virgin olive oil
– 1 to 2 tbspns white truffle oil
– Salt and pepper
– 1 small block of Parmegiano Reggiano parmesan cheese
– A few stalks of flat leaf parsley

 


 

Preparing the artichokes for slicing
First prepare a dish of water with lemon juice and a slice of lemon in it. The artichoke is like an apple when you cut it: it will start going brown quickly as soon as is exposed to the air.
Cut or break off as much of the tough leaves around the base as you can. Then keep snapping off the leaves – they’ll get easier to snap as they get thinner – until you get to the furry choke. It feels and looks a bit like a shaving brush.
You need to “pluck” the “hair” of the choke out; a serrated grapefruit spoon or similar works well, pinching them between the spoon and your thumb. You need to work fast, it goes brown quickly – rub occasionally with the slice of lemon (I didn’t work fast enough!).
Pare all around the base of the artichoke, leaving the stalk but stripping the outer layer off.
Put the base in the lemon water until you’re ready to finely slice it.

Preparing the fennel bulbs for slicing
Choose fennel as white and fresh as you can find. I find the taste intensifies the older it is.
Cut around the top, removing the stalks and fronds, and cut off the base.
Remove the outer layer.

Preparing the salad
1. Finely slice a layer of fennel onto a large plate, or individual plates for a more formal dinner. A mandolin is really the best for getting a micro thin slice. I use a Microplane handheld mandolin that’s adjustable, with a dial you can turn to set the fineness of the slice, which I left barely open to slice it as paperthin as possible.
2. Dress it with a drizzle of the olive oil and truffle oil, a squeeze of lemon juice, a sprinkling of fleur de sel and a twist of the pepper mill.
3. Do the same for a layer of artichoke.
4. Continue alternating the fennel and artichoke, dressing each layer.
5. Make shavings of parmesan with a vegetable peeler, or the mandolin, and scatter them over the top.
6. Scatter the parsley over the top.
7. Finish with a final drizzle of oil and lemon juice.

Don’t delay in serving! (It’s too good!)